They discussed Joan’s plans. It looked as if things were going to be easy for her. She wrote to Phillips to meet her, if possible, at Euston. There were things she wanted to talk to him about. There was the question whether she should go on writing for Carleton, or break with him at once. Also one or two points that were worrying her in connection with tariff reform. He was waiting for her on the platform. It appeared he, too, had much to say. He wanted her advice concerning his next speech. He had not dined and suggested supper. They could not walk about the streets. Likely enough, it was only her imagination, but it seemed to her that people in the restaurant had recognized him, and were whispering to one another: he was bound to be well known. Likewise her own appearance, she felt, was against them as regarded their desire to avoid observation. She would have to take to those mousey colours that did not suit her, and wear a veil. She hated the idea of a veil. It came from the East and belonged there. Besides, what would be the use? Unless he wore one too. “Who is the veiled woman that Phillips goes about with?” That is what they would ask. It was going to be very awkward, the whole thing. Viewed from the distance, it had looked quite fine. “Dedicating herself to the service of Humanity” was how it had presented itself to her in the garden at Meudon, the twinkling labyrinth of Paris at her feet, its sordid by-ways hidden beneath its myriad lights. She had not bargained for the dedication involving the loss of her self-respect.!

She was puzzled for the moment. “Oh, the old clergyman,” she answered, recollecting. “Oh, Calvary. All roads lead to Calvary, he thought. It was rather interesting.” He gave a short laugh. “A trick,” he said, “to weaken me. They think to shave my locks; show me to the people bound by their red tape. To put it another way, a rat among the terriers.”

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. Shaking hands with her, she had turned eastward, intending to walk to Sloane Square and there take the bus. At the corner of Oakley Street she overtook him. He was evidently a stranger to the neighbourhood, and was peering up through his glasses to see the name of the street; and Joan caught sight of his face beneath a gas lamp. “Oh, it isn’t that,” he answered. “But she’s frightened. You know. Says life with me is going to be a bit too uncertain for her. Perhaps she’s right.”